MINNIE THE MOOCHER (1932)
The Fleischer Brothers animate Cab Calloway's Jewish-inflected song into a terrifying fantasy; the resulting short film has become part of the DNA of modern Jewish horror.
THE WOLF MAN (1941)
The film that cerated the modern cinematic werewolf and seems to be a parallel for the rise of Nazism in Germany, a fact that the Jewish refugee screenwriter insists was deliberate.
IT (1967)
Roddy McDowall plays a quietly psychotic curator who discovers the Golem of Prague and mostly uses it to tear down bridges in hopes of impressing a girl.
THE FORBIDDEN ZONE (1980)
Not so much a horror movie as a live-action underground comic making use of horror themes and an early showcase of the band Oingo Boingo; films makes extensive use of the same sort of Jewish details found in Fleischer Brothers cartoons.
AN AMERICAN WEREWOLF IN LONDON (1981)
John Landis directs a film about two American boys coming to terms with lycanthropy and being undead in a film that features Nazi werewolves and a prominently placed menorah.
THE POSSESSION (2012)
Sam Raimi produces a film based on the supposedly true story of a box sold on eBay that contained a Dybbuk.
WORLD WAR Z (2013)
Bradd Pitt stars in a dilm in which zombies are like a fast-moving worldwide pandemic, including a bravura sequence in the streets of Jerusalem.
JERUZALEM (2015)
An apocalyptic POV horror film shot surreptitiously in the streets of Jerusalem and featuring a terrifying monster: a Jewish person who won't call her parents.
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I am going to do a short series of posts specifically about the mythic figure of Mose the Fireboy. Up front, I should mention that I have...
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We've met Mose Humphreys, the tall, red-headed Bowery Boy who inspired Mose the Fireboy. And we have heard tell that there was a figh...
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